I've been cooking more lately: chicken parmesan, egg custard, shrimp scampi, roasted broccoli and pancetta, shepherd's pie, and chocolate-cherry muffins.
It's pleasant to putter around the kitchen while the kids are in screen heaven, recovering from the school day and the demands of reality in general.
My signature move is the rough chop: hacking things into large pieces, throwing them in a pot, and describing the resulting dish as "rustic."
With spices, I am generous and imprecise. (A quarter-teaspoon's worth doesn't seem worth the effort.)
I carefully time and monitor the oven. I am afraid of BROIL and avoid it.
My favorite ingredients are pre-washed vegetables in a bag.
I enjoy assembling simple things, like a decaf chai latte with a slug of Irish whiskey, a few drops of vanilla, and a cinnamon stick. (So delicious that once you try it, you will kick yourself for all the wasted years . . . )
Cookbooks are like the Internet: With no particular plans, you flip through them until something catches your interest. And the Internet is a like a cookbook: Recipes for every imaginable food are a Google search away.
Always looking for ways to alleviate the boredom of winter nights, I'm glad to have hit upon cooking as a minor hobby.
Plus I'm so new to it that, every time I take a rustic, Internet-sourced casserole out of the oven, I feel like I'm being amazing.
"Am I amazing you, kids? Are you amazed that your working, single mother has lovingly prepared this meal for --"
"Can I be excused, Mom?"
"Me too?"
#stillamazing
Friday, February 12, 2016
Friday, February 5, 2016
Lowbrow
It's the middle of winter, and all our standards have gone out the window.
In other seasons, we bike, read, swim, and play Sudoku. But in February all we want to do is curl up on the couch, in the flickering light of some trash or another, with a bowl of pretzels.
Here's what we're staring at, slack-jawed, on any given night:
1. Animal Crossing. In this video game, the player (my son) is the mayor of a town of animals. He walks around, buys and sells things, and decorates his house. For a long time, I tried to figure out the point of all this. Then it dawned on me that there is no point: The player is plunged into an existential nightmare of terrifying inanity, and that is all.
Heads bobbing, the animals interact with the mayor by chirping frantically, like gerbils on speed. The mayor goes from house to house, buying baubles from his constituents. To pay off six-figure debts, he is reduced to selling fish, insects, and his own clothes. On the upside, his house contains a jukebox, a bubble machine, and a replica of the Statue of Liberty, and the animal mafia have not (yet) broken his kneecaps for outstanding loans.
That my son can play this game for hours is perhaps the most disturbing development of my adult life. And yet, I'm hardly one to talk, because . . .
2. Married At First Sight. Three seasons into this "groundbreaking social experiment" -- in which couples are blindly matched by relationship experts, meet at the altar, and remain married for six weeks before deciding whether to divorce -- I've learned a lot about the dos and don'ts of marriage.
It is helpful to be a burlesque dancer who falls for a fireman on sight and instantly devotes herself to being the best wife in the world.
It is unhelpful to maintain a contemptuous expression at all times and then sign up for a TV show in which you are paired with a male stranger who will, inevitably, repel you.
For men, it is unhelpful to be (1) a psychopath, (2) a guy who, honestly, wants to keep living with his parents, and what's wrong with that? and (3) on this show, because unless you are the specific fireman mentioned above, your marriage will crash and burn faster than Bart Simpson in a soapboax derby.
Each season, the relationship experts -- one from Harvard! -- achieve the impossible, turning hopeful newlyweds into bitter divorcees in six weeks.
Almost every contestant would be better off getting a dog. Which brings me to . . .
3. Beverly Hills Chihuahua 3. If you put the worst dog in the world in the worst town in the world in the most unnecessary sequel in the world, you get Beverly Hills Chihuahua 3: Viva La Fiesta!: a film suitable only for seven-year-old girls whose families are in February Neglect Mode.
Passing through the living room to get a snack, I try to neither see, nor hear, nor speak of Viva La Fiesta!, though it's in its sixth or seventh run, and my daughter seems to know all the words. These days, Papi and Chloe may be more real to her than her own brother (off selling his shoes to a chipmunk for a candelabra) or her own mom (deep in a fug of schadenfreude).
I have resisted the knowledge that these dogs and their litter are now living at the Langham Hotel, and that Papi has been relieved of his homeschooling duties. I have blocked out the snooty chef and all the talk of one pup's QuinceaƱera -- though I have wondered whether my daughter could have a QuinceaƱera. If a talking dog can do it, doesn't that open the door, culturally, to anyone? Any human at least, who isn't just turning 15 in dog years?
In March or April, we will all peel our brains off the floor and resume living.
Until then, we're drawing the shades and hunkering down.
Don't call us. We'll call you.
(Image: Duck Hunt Video Game by tympsy (Flickr) [CC BY-SA 2.0], via Wikimedia Commons)
Wednesday, January 20, 2016
The white seal
Years ago, my daughter saw a cartoon about a white baby seal. It was a 1975 film based on a Rudyard Kipling story, available at the library on DVD.
The seal's name was Kotick, but the actors pronounced it "Koteck." Watching the movie with my daughter, I was preoccupied with how much the seal's name sounded like a certain feminine product. I half-expected him to get covered in blood and unceremoniously thrown in the trash. That was not Kipling's plot, however.
My daughter -- then about four years old -- fell hard for the white seal. She watched the film over and over, yearning for a seal of her own.
At a toy store downtown, we found one: a plush white seal cub with melting brown eyes. My daughter took it home and cherished it. It slept in her bed. She introduced it to all her other stuffed animals.
The other day, she brought the brother of Koteck in from the garage. This was an identical white seal, purchased some weeks after the first seal.
Tucked in her bed with the white seal at her side, she looked adorable.
"I'm glad you brought Koteck inside," I said. "He missed you. I can tell he's happy to be with you again!"
"Mom," said my daughter, suddenly awake, her eyes shining with merriment. "Remember the first white seal? Remember what happened?"
"Uh, no, I guess not. What?"
She recounted how her brother had been lying on the couch, sick, when he suddenly leaned over the side and threw up. By sheer coincidence, the white seal was on the floor beneath him.
Helplessly my daughter looked on as waves of vomit erupted onto the head of her white seal, to the sounds of groans and retching.
Needless to say, the white seal was defiled beyond repair. I bagged him up and threw him in the outside trashcan.
"Oh yeah. Now I remember!" I said. We had a chuckle, though it had not struck her as funny at the time.
While just as cute, the second seal was not quite as beloved as the first. By the time he came along, some innocent corner of my daughter's heart had closed forever.
Now seven years old, she gave a last cruel laugh at the memory of the white seal and fell asleep next to its replacement, a faint smile still on her lips.
The seal's name was Kotick, but the actors pronounced it "Koteck." Watching the movie with my daughter, I was preoccupied with how much the seal's name sounded like a certain feminine product. I half-expected him to get covered in blood and unceremoniously thrown in the trash. That was not Kipling's plot, however.
My daughter -- then about four years old -- fell hard for the white seal. She watched the film over and over, yearning for a seal of her own.
At a toy store downtown, we found one: a plush white seal cub with melting brown eyes. My daughter took it home and cherished it. It slept in her bed. She introduced it to all her other stuffed animals.
The other day, she brought the brother of Koteck in from the garage. This was an identical white seal, purchased some weeks after the first seal.
Tucked in her bed with the white seal at her side, she looked adorable.
"I'm glad you brought Koteck inside," I said. "He missed you. I can tell he's happy to be with you again!"
"Mom," said my daughter, suddenly awake, her eyes shining with merriment. "Remember the first white seal? Remember what happened?"
"Uh, no, I guess not. What?"
She recounted how her brother had been lying on the couch, sick, when he suddenly leaned over the side and threw up. By sheer coincidence, the white seal was on the floor beneath him.
Helplessly my daughter looked on as waves of vomit erupted onto the head of her white seal, to the sounds of groans and retching.
Needless to say, the white seal was defiled beyond repair. I bagged him up and threw him in the outside trashcan.
"Oh yeah. Now I remember!" I said. We had a chuckle, though it had not struck her as funny at the time.
While just as cute, the second seal was not quite as beloved as the first. By the time he came along, some innocent corner of my daughter's heart had closed forever.
Now seven years old, she gave a last cruel laugh at the memory of the white seal and fell asleep next to its replacement, a faint smile still on her lips.
Monday, January 18, 2016
Neck fund
So we were watching Downton Abbey. He was following the plot (something about a child abduction and a pig farm). I was focused on people's necks.
Actors have good necks for their ages, because at some point -- as a professional requirement -- they get "work done." Between the pale swan neck of Lady Mary and the firm, still-elegant neck of her mother, Lady Cora, there was not as much difference as one might think. Around them swarmed the young, fresh necks of various servants and attendants.
Jail, trench warfare, heartbreak, the occasional pensive smoke after serving a six-course meal from silver tureens: none of it took any visible toll on anyone's neck. Nor did advancing age or rustic medical care from a 1920s village hospital. It was uncanny.
"I'm going to start a Neck Fund," I remarked to my future husband. "If I sock away $40 out of every paycheck starting now, by the time my neck is in really bad shape, I'll be able to get it fixed."
Dave said there was nothing wrong with my neck. Though supportive by instinct, he seemed confused by the topic.
"All older women are obsessed with their necks," I explained. "Nora Ephron -- the famous screenwriter of When Harry Met Sally -- published a book of essays called I Feel Bad About My Neck."
"Men don't care about stuff like that," he said.
I didn't care that men didn't care. This was about me, my neck, and forty-five hundred dollars, give or take.
We riffed about Dave explaining to his accountant "my wife's Neck Fund." We discussed the Neck Fund's rightful inheritor in the event of my untimely death.
"One of my resolutions for 2016 is not to look down," I confided. "Looking down at your phone, at a book, at anything? It's really bad for your neck."
He mimed holding his phone above eye level and looking up at it. "Like this?"
"Yup."
Being engaged is so great! I probably will never get around to starting a Neck Fund, but if I do, I feel like someone will have my back. Neck.
Whatever.
Actors have good necks for their ages, because at some point -- as a professional requirement -- they get "work done." Between the pale swan neck of Lady Mary and the firm, still-elegant neck of her mother, Lady Cora, there was not as much difference as one might think. Around them swarmed the young, fresh necks of various servants and attendants.
Jail, trench warfare, heartbreak, the occasional pensive smoke after serving a six-course meal from silver tureens: none of it took any visible toll on anyone's neck. Nor did advancing age or rustic medical care from a 1920s village hospital. It was uncanny.
"I'm going to start a Neck Fund," I remarked to my future husband. "If I sock away $40 out of every paycheck starting now, by the time my neck is in really bad shape, I'll be able to get it fixed."
Dave said there was nothing wrong with my neck. Though supportive by instinct, he seemed confused by the topic.
"All older women are obsessed with their necks," I explained. "Nora Ephron -- the famous screenwriter of When Harry Met Sally -- published a book of essays called I Feel Bad About My Neck."
"Men don't care about stuff like that," he said.
I didn't care that men didn't care. This was about me, my neck, and forty-five hundred dollars, give or take.
We riffed about Dave explaining to his accountant "my wife's Neck Fund." We discussed the Neck Fund's rightful inheritor in the event of my untimely death.
"One of my resolutions for 2016 is not to look down," I confided. "Looking down at your phone, at a book, at anything? It's really bad for your neck."
He mimed holding his phone above eye level and looking up at it. "Like this?"
"Yup."
Being engaged is so great! I probably will never get around to starting a Neck Fund, but if I do, I feel like someone will have my back. Neck.
Whatever.
Friday, January 15, 2016
Questions for the married
So I recently got engaged. Yay!
Excited about a future wedding, I asked my officiant-of-choice if she would do the ceremony. She would! Yay!
Within five minutes, I thought: Crap! I forgot to run this decision by my future husband!
Luckily, when informed post hoc, he thought it was a great idea. But the incident was a sobering reminder that I was no longer in Single Mom Mode.
Single moms don't have it easy: They are one person doing a two-person job. As a consolation prize, their title at home is Queen of Everything.
No one points out their mistakes, oversights, and small hypocrisies ("You guys can eat dinner in front of the TV just today, okay?"), because no one knows or cares what they do except children, who have few standards. The single mom's home is a black box in which she operates with near-total impunity. And if the kids are fed and clothed and seem happy? She's doing great!
I function well in Single Mom Mode, because I like efficiency and lack of fuss. After my first marriage ended, I learned to trust my own snap judgments. I relaxed into a semi-responsible parenting style. The bar was low, there was only one of me, and I didn't care much about most things anyway. It was a non-match made in heaven!
Yet by 2016, I had taken Single Mom Mode as far as it could go. Dave and I both were ready for something new, a shared life richer and more challenging than bumping along on our own. In video game terms, we were ready to Level Up. (In fact, foreshadowing my son's proposal to his future wife, the actual words used were: "Would you do me the honor of Leveling Up?")
So I love the idea of being married again, but I'm a bit rusty on the details. It's hard to recall how married people behave -- or should behave -- if I ever knew. Questions arise about how the thing operates in day-to-day life. Help me out, marrieds, by clarifying a few key topics:
Subject: Brangelina
Q: Is it possible for a married person to "commandeer" the living room on a Friday night in order to watch the new Brangelina movie, in total sincerity, without anyone saying anything about it?
Q: What if they are wearing a pore-refining mud mask? Could the situation still pass without remark, and even engender a respectful silence?
Q: Is said married person entitled to only half the leftovers in the fridge during this theoretical Brangelina-thon, even if she cooked them herself, and God knows the kids won't eat them?
Q: Could a married person plausibly remark -- as the credits roll for By the Sea or whatever -- that while they enjoy Brad Pitt as a character actor, they find their spouse far more attractive and that Angelina, while beautiful in a severe way, seems like a real handful?
Subject:
Those actually are all the questions I have.
Thank you.
(Image: AJ and BP at the Cannes Film Festival, by Georges Biard [CC BY-SA 3.0] via Wikimedia Commons)
Thursday, January 14, 2016
The Goodbye Girl
At twenty-three, I lived in a house in North Berkeley with wooden floors and a koi pond in the backyard. My room cost a few hundred dollars a month, and I had two housemates: girls with long, blonde hair and baggy, ethnic-print clothes.
One's father taught public policy at Harvard, a fact she seemed to find exasperating. Another had a boyfriend who was always around. One week a third girl visited us from Ohio. Her dad had announced he was transitioning into a woman, and she was shopping around a memoir-in-progress on the subject. This struck me as a shrewd response to her dad's news: a "what's in it for me" approach that I respected as an artist.
I didn't live there very long and never grew close to my co-tenants. I preferred to sit alone in the sunny, half-wild backyard by the koi pond, watching the brilliant-colored dragonflies alight and fly away, alight and fly away. This experience felt like pure freedom -- freedom from people, responsibilities, and even my own thoughts. I knew it wouldn't last and tried to soak it in.
The other thing I liked to do was watch The Goodbye Girl, a 1977 movie written by Neil Simon and starring Richard Dreyfuss. In it, a single mother (Marsha Mason) is forced to share her Manhattan apartment with an aspiring actor (Dreyfuss), who is starring in an off-Broadway production of Richard III.
As was often the case, this movie was more real to me than my own life. I had no interest in dating anyone, as I was on some level "involved" with the Richard Dreyfuss who existed when I was five years old. Sure, it was complicated. But I was busy, get it?
The Goodbye couple's relationship -- triangulated by a ten-year-old child -- fascinated me. Beneath its romantic-comedy surface, it seemed to hold some vital message.
Paula (Mason) is an average-looking woman in her thirties who distrusts men after being jilted by her boyfriend,Tony. Elliot (Dreyfuss) is pugnacious and a bit of a loser, hanging his hopes on Richard III. Both of them are adrift, nor do they like each other very much -- initially.
Then there is Paula's precocious daughter Lucy, weighing in with her own opinion:
Paula (Mason) is an average-looking woman in her thirties who distrusts men after being jilted by her boyfriend,Tony. Elliot (Dreyfuss) is pugnacious and a bit of a loser, hanging his hopes on Richard III. Both of them are adrift, nor do they like each other very much -- initially.
Then there is Paula's precocious daughter Lucy, weighing in with her own opinion:
Lucy, although she likes Elliot, sees the affair as a repeat of what happened with Tony. Elliot convinces Paula that he will not be like that and later picks up Lucy from school and takes her on a carriage ride, during which Lucy admits that she likes Elliot, and he admits that he likes her and Paula and will not do anything to hurt them.
[Source: Wikipedia]
Here was a love story different from every one I'd seen about childless people. It was more domestic, more cautious, tinged with awareness of a vulnerable third person. Paula and Elliot make jokes and argue, negotiate domestic compromises ("No panties on the rod!"), learn each other's quirks, and test their compatibility, all while living in close quarters with each other and the offspring of a former relationship.
In the end, they don't get married, but when Elliot has to film a movie in Seattle, he leaves his treasured guitar behind to show Paula and Lucy he'll come back. (This may be as close to a committed relationship as anyone got in 1977.)
That summer in Berkeley, I watched The Goodbye Girl over and over, studying these flawed, funny grownups as they fell in love and learned to coexist.
It seemed like the best possible use of my time.
In the end, they don't get married, but when Elliot has to film a movie in Seattle, he leaves his treasured guitar behind to show Paula and Lucy he'll come back. (This may be as close to a committed relationship as anyone got in 1977.)
That summer in Berkeley, I watched The Goodbye Girl over and over, studying these flawed, funny grownups as they fell in love and learned to coexist.
It seemed like the best possible use of my time.
* * * *
On the last night of 2015, Dave and I played Scrabble.
Using a new cookbook, we made a brie and pear tart, but it was just okay. We put honey on it and ate half of it with a glass of wine.
At some point in the game, we opened a bottle of champagne.
There were some good potato chips in the pantry, so why not?
After a few good words, I won the game. Dave later said he was glad I'd won: It was, in his view, more romantic.
At midnight, we said Happy New Year. And at 12:01, he proposed.
The next morning, the kids came home and we made waffles. The neighbors and their kids dropped by. We didn't tell anyone just yet.
I finally had what I'd wanted: the grown-up version, kids included.
It was magnificent.
Saturday, December 26, 2015
Christmas List: Part 3
Christmas Gratitude List (2015), continued:
6. Minecraft. This crazy game has given my son a thousand hours of flow. On the Xbox, on the computer, at the library after school, he spent the year building ever-more-fantastical houses in the Chinese style -- complete with libraries, dojos, and indoor waterfalls -- block by block.
With the devotion of a Talmudic scholar, he pored over Minecraft cartoons on the Internet, discovering clips the whole family could enjoy. Christmas with the Villagers, for example, includes the following exchange:
Minecraft Santa: Come sit on my lap!
Minecraft child: Hey, you're not the real Santa! You're just a fake!
[Pause]
Minecraft Santa [gruffly]: Get in the bag.
7. Nana Claus. While some families excel at singing around the piano at drunken soirees, my family excels at the most important Christmas activity: giving presents. Not that I'm awake at midnight on Christmas Eve -- because of course, I'm in bed waiting for Santa -- but if I were, I would be moved by all the thoughtful presents under the tree. I am especially grateful to my mom, who sends each gift pre-wrapped -- with exquisite care and attention -- by herself. When these magical-looking presents arrive, I simply lift them out of mailing box and put them aside till Christmas, after changing the kids' gift tags to say "From Mom."
8. Amazon.com. Every Christmas, I renew my pledge to support whoever is in charge of Amazon.com -- or, if s/he is busy, a senior executive -- for President of the United States. It is the most stunningly effective organization since . . . well, there is no human precedent. I feel certain that, over at Amazon, it is a no-excuses culture: If the Prime team were on the job, ISIS would be a smear in two days -- or your money back. (But nobody listens to me, do they?) Thanks Amazon, for giving everybody everything they want every day, at a reasonable price, delivered to their doorstep. Too bad you are "not qualified" to be President.
9. Mr. Right. Years ago, when I began to think about post-divorce dating, I had no idea what kind of person might fit the bill. I was forty years old with two kids, weary of every type of man I'd met in the entire state of California. He could be the nicest guy in the world, but a sharp dresser with a demanding job who was always on his phone, mulling Yelp! reviews of farm-to-fork restaurants, was not going to work: "I'm sorry, I just can't . . . Sorry."
I longed for a 50-foot banner to unfurl over my head, in the sky's vastness, that read -- like the Monty Python film -- "And Now for Something Completely Different."
Miraculously, it happened. Dave's basic character is so noble and decent, I sometimes compare it to "a bar of gold." Despite being genial and handsome, he is not cool or on-trend. He is old-fashioned yet unique, and completely defies classification. This is my favorite type of person, as it turns out.
I am so grateful for him and all our happy times together.
Merry Third Christmas, honey.
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